Opus | 1100 | ||||
Jahr | 1910 | ||||
Ort | Petersburg Gynäkolog. Institut | ||||
Lade | Kegelladen | ||||
Traktur | pneum. | ||||
Quelle | Roijsman | ||||
I.MANUAL C-g3=56 | II.MANUAL | ||||
1. | Groß Gedackt | 16' | 15. | Bourdon | 16' |
2. | Oktav Prinzipal | 8' | 16. | Flötenprinzipal | 8' |
3. | Hohlflöte | 8' | 17. | Konzertflöte | 8' |
4. | Viola di Gamba | 8' | 18. | Salicional | 8' |
5. | Bourdon | 8' | 19. | Bourdon doux | 8' |
6. | Gemshorn | 8' | 20. | Quintatön | 8' |
7. | Dulciana | 8' | 21. | Dolce | 8' |
8. | Octave | 4' | 22. | Prinzipal | 4' |
9. | Rohrflöte | 4' | 23. | Traversflöte | 4' |
10. | Octave | 2' | 24. | Piccolo | 2' |
11. | Mixtur 5f | 2 2/3' | 25. | Cornett 3-5f | 8' |
12. | Scharff | 1 1/3' | 26. | Clarinette | 8' |
13. | Trompete | 8' | |||
14. | Clarine | 4' | |||
III.Manual Schwellwerk | PEDAL C-f' | ||||
27. | Liebl.Gedackt | 16' | 43. | Principalbaß | 16' |
28. | Geigenprinzipal | 8' | 44. | Violonbaß | 16' |
29. | Bourdon doux | 8' | 45. | Subbaß | 16' |
30. | Flauto amabile | 8' | 46. | Octavbaß | 8' |
31. | Echo-Gamba | 8' | 47. | Flötbaß | 8' |
32. | Rohrflöte | 8' | 48. | Oktavfbaß | 4' |
33. | Aeoline | 8' | 49. | Kornett 2fach | 5 1/3' |
34. | Voix-celeste | 8' | 50. | Posaunenbaß | 16' |
35. | Geigenprinzipal | 4' | Schwell-Pedal | ||
36. | Flauto dolce | 4' | 51 | Gedacktbaß | 16' |
37. | Salicet | 4' | 52 | Violoncello | 8' |
38. | Flautino | 2' | |||
39. | Harm.aeth. 3f. | 2 2/3' | |||
40. | Trompete | 8' | |||
41. | Oboe | 8' | |||
42. | Vox humana | 8' | |||
COPPELN und NEBENZÜGE | |||||
IIÌ/II III/I II/I I/P II/P III/P | |||||
Tutti-Forte-MF-P | |||||
2FK CrescendoWalze | |||||
Schwelltritt ganze Orgel | |||||
Schwelltritt III | |||||